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Kee Marcello Interview (Formerly With EUROPE)
I try to write just me and my guitar, like I would in the 70's in my room. Trying to get back to just heart and soul.----KEE MARCELLO
I had the chance to chat with KEE MARCELLO, formerly with
the band EUROPE, EASY ACTION, and now recently signed to FRONTIERS RECORDS. I
sat in my car on a cloudy 70 degree New England day and he was at home across
the big pond.
Gothenburg Sweden and its raining. Rainy skies are not unusual for the west
coast of Sweden.
What is in the
water in Sweden? There are so many good bands pouring out of the country.
(laughs), well I tell
you it has not always been that way. I was in a band called EASY ACTION back in
the early 80's and we were the first Swedish band to ever sign a major record
deal. What happened here is that we have really good music schools here in
Sweden. And that has given rise to all sorts of acts like IN FLAMES, HARDCORE
SUPERSTARS. The music school system is really happening here.
Tell us about the
making of "Scaling Up".
what I really wanted
to try and get back to what is instinctive kee marcello. What comes out if I
don't think? I try not to think. Just play with the heart. There are a lot of
70's in that. Which is not a bad thing. I try to write just me and my guitar
like I would in the 70's in my room. Trying to get back to just heart and soul.
How does it feel to not think? You are not catering to any label. You just do
your own thing
That heart and
soul vibe comes through. Do you find it harder or easier to write tunes after
all this time?
I think it used to be
much harder. Possibly because I involved the thinking process. It should be
something you feel. From a logical point of view you piece different things
together and make a song. But you have to find a way to figure what the song is
about. This is key to me. When I understand it I know what kind of words to use
and then it just writes itself. That's the way it works. Like the song
"miss you much" it's a catch phrase chorus, kind of reverse
psychology. When I had that chorus I really knew what the rest of the song
would be about and the song just wrote itself.
And then you can
base the lead break on the emotions of the lyrics.
Oh yeah. The lead
breaks to me are often extensions of the vocal melodies. It takes over what the
vocals can't really do.
Are you using a
lot of effects or just a straight guitar/marshall player.
Most of the leads I do
are over dubbed but I don't want to use effects when I record in the studio. I
want to be able to choose whether I wanted delay or all that. I'm used to the
sound of playing straight through. Some chorus. I'm not the guy who loads a lot
of effects. I want a good amp sound.
So less is more
I think it is. It's
much better to learn your sound and then learn to like it. You get lost in all
the effects. The same with learning to like your voice. It's hard the first
time you hear your voice recorded.
Right now I am doing
an arena tour which is called ROCK OF 80'S which is the singer for HAMMERFALL
and the singer for CANDLEMASS and a lot of other performers and we have been
selling out arenas here. We are doing this through October. At the end of this
we will embark on the Kee Marcello tour. Starting in Scandinavia and then to
the main continent. And then hopefully we will come to the states. Maybe a
package tour. Or mini festival. Seems to be the way to go nowadays.
What is the
craziest thing that has ever happened to you at a gig?
Well most I cannot
talk about but one thing was this. I was at a meet and greet in London signing
albums and this couple came up and said they just had a baby.And they said we love you so much. You and Anders(Johansson,
Drums) from HAMMERFALL, so we named our baby Anders Kee! I mean can you imagine
such a name? The poor kid. It's not even a name ( laughs) You know amazing
stuff happens. It happens all the time. One time someone threw a hand grenade
on stage....It actually was a smoke grenade. I mean you just start thinking
this is it.
Does safety at
concerts in light of recent events concern you?
I never really thought
about it. I mean you would be the last to know. Once in Oslo I had death
threats against me but my then manager didn't tell me until after the gig. But
you know I don't really think about that stuff.
And I understand
that you are in addition to a musician, a professional horse racer.
Yeah. I am a harness
race driver. This is for me the ultimate way to relax. I need to do that. I
think music 24/7. When I have some days off which is unusual I will go to the
stables and go out and ride. It is really fast. It is awesome. I love the
animals. The experience of training in nature. It is something I need.
CRY OF THE WOLF MAGAZINE Interview With FRANKIE BANALI Of QUIET RIOT
QUIET RIOT was not the first band that got me into heavy metal. I was already well entrenched in the power and the glory of bands like Sabbath, Saxon, and Dio. But for an impressionable youth the constant nagging from the "cool" kids at school about how lame metal was became very bothersome. Cliched white sneaker wearing future lawyers were constantly picking on me and my metal head friends. QUIET RIOT one day came on the radio and changed all that. Like an asteroid hitting the dinosaurs they wiped away all the so called un coolness about metal and made it mainstream. Suddenly all the jocks were "banging" their heads to songs like "Metal Health", And "slick Black Cadillac". So years later after the heavy smoke has cleared I got the chance to speak with one of the key architects of QUIET RIOT, Mr. Frankie Banali. They are about to release ROAD RAGE on Frontiers Records and it so…
New England Metal & Hardcore Festival feat. Sabaton
KATATONIA, HammerFall, Amorphis, Caspian, Delain, Swallow The Sun, Battle Beast, Leaves Eyes, Circuit Of Suns, And MANY MORE TBA!!!
Sat, April 22, 2017Doors: 1:00 pm / Show: 1:00 pm
$45.00 - $50.00Tickets
This event is all agesNew England Metal & Hardcore Festival ***2-DAY PASS** Available Here: http://www.ticketfly.com/event/1394330http://www.thepalladium.net/event/1394344/
Sabaton was formed back in 1999 in Falun, Sweden when the members of a band called "Aeon" reformed and rearmed for the upcoming first recording in Moon Music Studio. The founding members of Aeon: Rikard, Pär and Daniel Mullback had joined forces with Oskar and Joakim earlier during the year which had seen a few line-up changes and the guys decided on a fresh start and changed the name of the band to Sabaton. These are the same guys you see on stage today.
As a young proto-metalhead living in the hard streets of Riverside, Rhode Island we would all gather at whoever had the latest vinyl release and rock out for hours. Discussing techniques, listening to lyrics, guitar solos. The best albums offered up energy at its purest form. It transmitted from the vinyl grooves right into our little teenage brains. You could literally feel what the band or artist was trying to convey.
Metallica's latest release, Hardwired to self destruct offers up a modern day version of that same energy and spirit from days gone by. It is a powerful statement from a band that many had written off. One song...Now were all dead...that is the only song you need to listen to. But there are many, many more. This is grade a material from a group of artists who managed to capture their energy and channel it through this disc. This is real, this is power, this is the definition of a classic metal album.
Another great sign of a good, solid album is that you can list…