Cry Of The Wolf Magazine
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Metal Blade News
Metal Blade Records launches new edition of "6 Bands in 60 Seconds"
In conjunction with RED Music, Metal Blade Records has launched a new
edition of the "6 Bands in 60 Seconds" campaign, where CEO Brian Slagel
spotlights six artists from the label's roster every three months. The
goal of the promotion is to help fans discover new music from some of
the most promising acts in the scene. The latest installment of the
series features Serpentine Dominion, Allegaeon, Destrage, Necromancing The Stone, If These Trees Could Talk, and Hammers Of Misfortune; to watch the video clip, and to learn more about the artists, please visit: http://metalblade.com/6bands
Imagine Killswitch Engage at their heaviest, with the immediately recognizable guitar playing of Adam Dutkiewicz, the precision drumming of former The Black Dahlia Murder member Shannon Lucas, and the legendary death metal growl of Cannibal Corpse's George "Corpsegrinder" Fisher - the result is Serpentine Dominion.
After 7 years in the making, this highly anticipated project will
finally be releasing their self-titled debut on October 28th. For more
information, please visit: https://www.facebook.com/serpentinedominion
Due out September 23rd, Allegaeon's Proponent for Sentience
is a musically complex, intelligent, and absorbing concept record that
can rightfully sit alongside the true greats of the medium. With a
lyrical arc rooted in science-fiction yet uncomfortably encroaching upon
the reality of the present, it captures the Fort Collins, Colorado
natives at their most ambitious and accomplished, pushing the boundaries
even further than on their three previous critically acclaimed
full-lengths. For more information, please visit: http://www.facebook.com/allegaeon
You can try to put Destrage in a box but you will never succeed.
Words such as "progressive", "cinematic", "mathcore", "technical" and
"groove-laden", could be thrown at them, but really the only one you
need is Destrage, for they are in a category of their own making. This has never been more true than on A Means To No End,
the fourth full-length from the Milan, Italy-based 5-piece, due out
October 21st. Riveting from start to finish, it leads the listener
through an emotionally-charged labyrinth of complex yet catchy melody
and muscle, following nobody's rules, and it stands out as one of the
truly unique releases of 2016. For more information, please visit: http://www.facebook.com/destrage
If flaccid, identikit, breakdown-laden "metal" is the disease, Necromancing The Stone's recently released debut full-length, Jewel of the Vile, is the cure. Featuring current/former members of Arsis (James Malone, guitars), The Absence (Jeramie Kling, drums), The Black Dahlia Murder (Ryan "Bart" Williams, bass) and Brimstone Coven (guitarist Justin Wood and vocalist "Big" John Williams), Necromancing The Stone"has brought back the glory days [of '80s heavy metal] with unbridled spirit" (Loudwire.com). For more information, please visit: https://www.facebook.com/necromancingthestone
After four years of fine-tuning audio and visual components, instrumental post-rock outfit If These Trees Could Talk
released their Metal Blade Records debut upon the music world this past
June. The response was once again overwhelmingly positive, with MetalSucks.net declaring: "the music If These Trees Could Talk are putting out now is some of the finest they've ever written." For more information, please visit: http://www.facebook.com/treescouldtalk
For their recently released sixth full-length, Dead Revolution, progressive heavy metallers Hammers of Misfortune enlisted Nick Dumitriu (Vhol, Ritual Chamber)
to produce the record, utilizing a vintage Trident board and minimizing
digital processing. The result is a warm, sharp sound that harkens back
to productions like John Leckie's treatment of Pink Floyd's Meddle or David Hitchcock's master work in Camel's Mirage. For more information, please visit: https://www.facebook.com/hammersofmisfortune
CRY OF THE WOLF MAGAZINE Interview With FRANKIE BANALI Of QUIET RIOT
QUIET RIOT was not the first band that got me into heavy metal. I was already well entrenched in the power and the glory of bands like Sabbath, Saxon, and Dio. But for an impressionable youth the constant nagging from the "cool" kids at school about how lame metal was became very bothersome. Cliched white sneaker wearing future lawyers were constantly picking on me and my metal head friends. QUIET RIOT one day came on the radio and changed all that. Like an asteroid hitting the dinosaurs they wiped away all the so called un coolness about metal and made it mainstream. Suddenly all the jocks were "banging" their heads to songs like "Metal Health", And "slick Black Cadillac". So years later after the heavy smoke has cleared I got the chance to speak with one of the key architects of QUIET RIOT, Mr. Frankie Banali. They are about to release ROAD RAGE on Frontiers Records and it so…
New England Metal & Hardcore Festival feat. Sabaton
KATATONIA, HammerFall, Amorphis, Caspian, Delain, Swallow The Sun, Battle Beast, Leaves Eyes, Circuit Of Suns, And MANY MORE TBA!!!
Sat, April 22, 2017Doors: 1:00 pm / Show: 1:00 pm
$45.00 - $50.00Tickets
This event is all agesNew England Metal & Hardcore Festival ***2-DAY PASS** Available Here: http://www.ticketfly.com/event/1394330http://www.thepalladium.net/event/1394344/
Sabaton was formed back in 1999 in Falun, Sweden when the members of a band called "Aeon" reformed and rearmed for the upcoming first recording in Moon Music Studio. The founding members of Aeon: Rikard, Pär and Daniel Mullback had joined forces with Oskar and Joakim earlier during the year which had seen a few line-up changes and the guys decided on a fresh start and changed the name of the band to Sabaton. These are the same guys you see on stage today.
As a young proto-metalhead living in the hard streets of Riverside, Rhode Island we would all gather at whoever had the latest vinyl release and rock out for hours. Discussing techniques, listening to lyrics, guitar solos. The best albums offered up energy at its purest form. It transmitted from the vinyl grooves right into our little teenage brains. You could literally feel what the band or artist was trying to convey.
Metallica's latest release, Hardwired to self destruct offers up a modern day version of that same energy and spirit from days gone by. It is a powerful statement from a band that many had written off. One song...Now were all dead...that is the only song you need to listen to. But there are many, many more. This is grade a material from a group of artists who managed to capture their energy and channel it through this disc. This is real, this is power, this is the definition of a classic metal album.
Another great sign of a good, solid album is that you can list…